With the male need to control women hitting a new flashpoint in the courts, "Men" comes at a pivotal time. But it’s not a #MeToo sermon.

With the male need to control women hitting a new flashpoint in the courts, "Men" comes at a pivotal time. But it’s not a #MeToo sermon.

Men is a thrilling, deranged horror masterpiece

Jessie Buckley and Rory Kinnear are great in Alex Garland's super weird gross-out film 'Men.' Garland also directed 'Ex Machina' and 'Annihilation.'

Jessie Buckley and Rory Kinnear star in this horror from Ex Machina director Alex Garland, which "wryly toys with horror tropes", writes Caryn James.

Director Alex Garland established a distinct penchant for surrealistic genre fare in just two features, Ex Machina and Annihilation. In his latest, Men...

Jessie Buckley stars as a traumatized widow feeling menaced by a series of guys all played (brilliantly) by Rory Kinnear.

The last time a major filmmaker ventured into a nightmarish Garden of Eden amid a swirl of Christian and pagan warnings of the evil that men do, the filmmake...

★★★★☆ Following Ex Machina and Annihilation, writer and director Alex Garland returns to the green, green pastures of home with a new chiller on ju...

Alex Garland enters his Mother! phase with Men, a stylish but reductive glimpse into cycles of gendered abuse. Read our review here.

Men writer-director Alex Garland is fascinated with creation and rebirth.

Alex Garland is at his most surreal when tackling the unnatural dynamics between men and women.

Jessie Buckley's grieving widow Harper comes across some unfriendly faces in Alex Garland's new folk horror. Read the Empire review.

'Ex Machina' auteur Alex Garland dips into A24 horror in 'Men,' his confounding but beautifully crafted mood piece.

"Men" has a great trailer. But Alex Garland's latest film has precious little to add to the experience of watching its promotional materials. Despite the eff...

Alex Garland writes and directs a film that fuses fairytale, trauma and folk horror before sinking into silly wig-out

Alex Garland's Men is a terrifyingly trippy, throat-grabbing folk-horror freakout.

A traumatized widow seeks a place to heal in an English country house where she instead finds herself in an escalating nightmare in this surreal folk horror,...

The filmmaker’s follow-up to ‘Ex Machina’ and ‘Annihilation’ at times feels like provocation for provocation’s sake

If men are not and have never been okay, then what are they? Alex Garland's freaky new horror movie searches for answers as only he could.

Jessie Buckley is terrific in Alex garland’s ambitious but unsatisfactory horror

Larry Mantle and KPCC film critics Amy Nicholson and Andy Klein review this weekend’s new movie releases on streaming and on demand platforms.

A horror meditation on the biblical origins and self-perpetuating permutations of patriarchy...

Jessie Buckley goes up against a multitasking Rory Kinnear in 'Men,' the latest mind-bender from the director of 'Ex Machina' and 'Annihilation.'

A woman reeling from a personal tragedy embarks on the holiday from hell in Alex Garland’s underwhelming folk horror film.

Alex Garland of "Ex Machina" and "Annihilation" is back, but underwhelming.

The original is less good than you remember, but Joseph Kosinski’s beautifully shot sequel, with Tom Cruise as the Dorian Gray of the U.S. Navy, manages t...

'Men', the latest film from writer/director Alex Garland, is a strange, hilarious and terrifying take on grief and toxic masculinity

Alex Garland’s latest film stars Jessie Buckley as a woman whose peaceful trip to the countryside turns creepy and allegorical.

Alex Garland’s surreal movie ‘Men’ is a horror story about misogyny. Expect cultural pathology, not jump scares.

Annihilation and Ex Machina director Alex Garland offers up a provocative story with many questions and no answers

Men is Alex Garland’s third film, following in thewake of Ex Machina and Annihilation. It is his least accessibleproduction to-date, venturing into the psy...

Whatever your reaction is to the latest meticulously made mind warp from writer/director Alex Garland, it won’t be indifference.

The sinister side of that British passion to “Escape to the Country” is the font of horror in “Men,” a genuinely hair-raising thriller from the direc...

Alex Garland’s latest horror flick overshadows the woman at its center to focus on the men who cause her trauma. K. Austin Collins' review

Alex Garland's Men is weird and creepy, with Rory Kinnear stealing the show.

The actress and her chameleonic co-star Rory Kinnear are great but the film isn’t quite sure where it’s going

Alex Garland’s slow-burn shocker Men – the film many walked out of at Cannes – comes to Australian cinemas this week.

What on earth is going on in those final scenes?

The director’s new horror film will probably alienate some viewers, but that was a risk he was prepared to take.

After personal trauma, a protagonist retreats to a secluded location for solace and inner reconciliation only to be further haunted. The set-up is familiar t...

Alex Garland rushes straight for the patriarchy’s jugular in Men’s battle of the sexes, leaving a sloppy, bloody mess in his wake

"Men" is a self-aware social commentary that plays with horror tropes and a showcases the talents of its leads.

★★☆☆☆The latest project from Alex Garland, writer of The Beach and director of Ex Machina, is a movie of themes, malformed ideas and little actual ...

Director Alex Garland’s Men will leave you shaken.

Jessie Buckley stars as a distraught woman looking for a getaway in writer-director Alex Garland's creepy and at times disturbing horror film Men.

In his tricky psycho-sexual horror film Men, writer-director Alex Garland suggests that men don’t know who they are anymore

Is ’Men’ about all men, or about one, extremely English man?

Alex Garland’s latest mind-bending movie is a muddled metaphor about the power of patriarchy, or something.

Alex Garland puts the 'Men' in 'menacing,' conjuring a town where the locals threaten a woman trying to escape a bad marriage.

The filmmaker’s new movie continues his penchant for ancient iconography and spoiled paradise.

Alex Garland’s latest body-mangling film lacks the depth and bravado it needs to succeed.