As at odds as they may initially appear, comedy and horror share a lot of DNA, particularly in their reliance on timing to evoke a physical response. A pause can either prolong the tension or make a simple sentence even funnier. Rhythm lets the audience know what to expect — or throws them off intentionally, creating […]

Jordan Peele, half of 'Key & Peele,' makes his directing debut with the race-conscious horror film 'Get Out.'

It incisively probes the connection between the racism of the “liberal elite” and good old-fashioned white supremacy.

Jordan Peele’s directorial debut reimagines a horror movie from a black perspective — and walks the thin line between terror and everyday experience

It’s “The Attack of the Well-Meaning White People”!

This is a horror movie for the post-Obama age

Get Out is a horror film but it’s not like any horror film that has reached theaters in a long time. To begin with, it’s rated R, and the R-rated horror film has become something of an endangered species in this era of PG-13’ing everything. The...

Jordan Peele's Get Out isn't Oscar material, yet it's a razored rebuttal to the movie industry's so white, so what reputation. Nothing is more Hollywood than horror movies, nor more...

Jordan Peele’s debut feature blends horror, comedy and racism allegory

Peele has made an agile movie whose social and cultural observations are woven so tightly into the fabric that you’re laughing even as you’re thinking.

Jordan Peele’s superbly nasty comedy about a black man who meets his white girlfriend’s parents is as pitiless as a surgeon’s scalpel

The ‘Key & Peele’ star’s new movie is about a man whose life becomes a nightmare after he visits his girlfriend’s parents for the first time.

Jordan Peele’s directorial debut, about an African-American photographer (Daniel Kaluuya) visiting the remote family home of his white girlfriend (Allison Williams), will scare you, make you laugh and perhaps make...

'Key and Peele' comic Jordan Peele's feature debut combines genuine chills with a no-holds-barred critique of black-white relations.

Jordan Peele's debut movie has the potential to unlock the gates for black participation in a genre in which they have rarely felt welcome.

Race, horror and a hilarious TSA agent all factor into the socially relevant thriller.

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This American horror film has more fun playing with racial tensions than with scaring us to death, which for some will be a bit of a letdown. The problem with ‘

Los Angeles Times film critic Justin Chang reviews 'Get Out' from writer-director Jordan Peele.

'Get Out' injects social satire into the slasher-flick genre; Peter Travers on why Jordan Peele's race-relations horror film is an instant classic.

It’s a mash-up of Guess Who’s Coming to Dinner? and The Stepford Wives that’s more fun than either and more illuminating, too.

A young black man meets his white girlfriend’s parents in Jordan Peele’s chilling satire of liberal racism in the US

We need more directors willing to take risks with films like Get Out.

Jordan Peele’s debut feature is expertly crafted, devastatingly subversive, and a hilarious commentary on race.

Jordan Peele writes and directs a terrific horror film that deals with race in the United States.

It’s a point of pride with any horror film, or any thriller verging on horror: Used correctly, a perfectly innocent song suddenly sounds like the scariest bleep in the world.The opening sequence of “Get Out,” one of the most bracing surprises of the new moviegoing year, finds a young man walking along a dark suburban […]

Funny, scary and politically on point, ‘Get Out’ entertains with sly sure-footedness.