"I Saw the TV Glow" is a shock to the system with its originality, according to one critic.

I Saw The TV Glow review: Jane Schoenbrun's electric film reaches through the screen and never lets go

"I Saw the TV Glow" from director Jane Schoenbrun marries 1990s pop-culture obsession and trans discovery in a moving, sometimes confounding film.

Cinematic homage to Buffy the Vampire Slayer is scary and evocative—I wish it were a little funnier

It's equal parts psychological horror film, 1990s TV nostalgia trip, coming of age story and dysphoria allegory.

The unsettling new quasi-horror film features a lot of Buffy the Vampire Slayer references — for a good reason.

Jane Schoenbrun’s second feature is an imaginative trans allegory and shattering, funny media critique.

Story is set in the 1990s and centers on two TV-obsessed teens.

Brigette Lundy-Paine and Justice Smith star in Jane Schoenbrun's surreal horror drama. Read the Empire review.

Here's our verdict

Smith plays an alienated adolescent who finds comfort in his friendship with a cool older girl and the television show they both love.

Finally being released on UK shores, Jane Schoenbrun’s celebrated follow-up to ‘We’re All Going to the World’s Fair’ is about how art can sometimes...

"I Saw the TV Glow," the new movie from "We're All Going to the World's Fair director Jane Schoenbrun, is a masterpiece of media commentary.

The trans community has embraced the film as an analogy for transition

...has a welcoming weirdness that communicates in a subliminal way.

Writer-director Jane Schoenbrun turns a shared obsession over a fictional TV series into an inchoate story of teenage semi-friendship and arrested development.

Jane Schoenbrun's horror-drama "I Saw the TV Glow" is entertaining yet depressing, surreal yet too real, and frustrating yet somehow cathartic.

Director Jane Schoenbrun, whose debut film We’re All Going to the World’s Fair was shot almost entirely through webcams, announces themself as a vital ne...

And ‘Babes’ is one of the funniest films of the year so far.

In Jane Schoenbrun’s new feature, two teens search for their true selves through their shared obsession with a horror TV series.

This queer sci-fi horror is a gripping exploration of otherness

This movie is clever, cool, and a slog. Its world is nightmarish not in the way that most horror movies are but in a way that resembles an actual nightmare.

Jane Schoenbrun cleverly packs observations about trans ennui into their suburban horror, but it needs more. Our I Saw the TV Glow review:

The earworm original soundtrack, exciting practical effects, intoxicating photography and risky editing—blending together conscious and imagined worlds—a...

Filmmaker Jane Schoenbrun's addition to the midnight-movie canon starts with a shared love of a TV show — and then goes down the fandom rabbit hole.

Jane Schoenbrun's followup to We're All Going to the World's Fair has been hailed as a breakthrough cinematic treatment of gender dysphoria. Maybe so, but it...

A24's midnight title is a haunting evocation of childhood TV obsessions

The lush details of Jane Schoenbrun’s imagination do not dictate the form of 'I Saw the TV Glow.' They overwhelm it

I Saw the TV Glow might be the most important movie you see all year. Here's our review.

Justice Smith stars in this relentlessly gloomy fantasy with a message that you’ll love or hate

I Saw the TV Glow is closer in spirit to angsty tone poems such as The Virgin Suicides and Moonlight than to anything scary.

Tender yet rageful, quiet yet deafening, intimate yet expansive, Jane Schoenbrun’s I Saw the TV Glow is a towering achievement of total artistic freedom, t...

Jane Schoenbrun’s sophomore film is a haunting, and heartbreaking exploration of the adolescent pains that come with figuring out who you are and who you c...

I Saw the TV Glow has influences that stretch from Buffy to Twin Peaks, but this is a wholly original film that’s trying something new.

It’s been a banner year for genre fare like horror, but 2024’s best films to date are full of diverse and surprising offerings

Jane Schoenbrun’s hypnotic new film shows high-schoolers Owen and Maddy grappling with their identity while trying to escape their town

Jane Schoenbrun writes and directs the 1990s teen phantasmagoria I Saw the TV Glow, a modern masterpiece.

With influences ranging from David Lynch to "Buffy," "I Saw the TV Glow" is a brilliantly bizarre horror drama about sexual identity and nostalgia.

Jane Schoenbrun’s followup to ‘We’re All Going to the World’s Fair’ is a profound must-see.

Two misfit teens bond over an uncannily formative fantasy series in Jane Schoenbrun's strikingly styled not-quite-horror film 'I Saw the TV Glow.'

Jane Schoenbrun’s I Saw the TV Glow is an enveloping, confounding film about isolation, gender transition, and Buffy the Vampire Slayer.