- Type
- Film
- Status
- Released
- Release
- January 19, 2017 (8 years ago)
- Language
- English
- Origin
- Japan · United States
- Genres
- Psychological horror
- Tags
- Psychological Horror · Psychological Thriller
- Production companies
- Blinding Edge Pictures · Blumhouse Productions · Universal Pictures
- Runtime
- 1h 57m
- Rating
- PG-13
Split

Where to watch (United States)
Cast
James McAvoyKevin Wendell Crumb
Anya Taylor-JoyCasey Cooke
Betty BuckleyKaren Fletcher
Haley Lu RichardsonClaire Benoit
Jessica SulaMarcia
Izzie CoffeyFive-Year-Old Casey
Brad William HenkeUncle John
Sebastian ArcelusCasey's Father
Neal HuffMr. Benoit
Ukee WashingtonNews Anchor
Ann WoodGame Show Enthusiast
Robert Michael KellyJoe
M. Night ShyamalanJai, Hooters Lover
Rosemary HowardKevin's Mother
Jerome GallmanVince, Security Guard
Lyne ReneeAcademic Moderator
Kate JacobyDr. Fletcher's Patient
Peter PatrikiosTaxi Driver
Kash GoinsFlower Kiosk Worker
Roy James WilsonSecurity Guy with Dog
Christopher Lee PhilipsOlder Worker
Julie PotterParamedic
Ameerah BriggsPolice Officer #1
Nakia DillardPolice Officer #2
Robin RiegerTelevision Reporter
Emlyn Elisabeth MorinelliDiner Waitress
Dann FinkGame Show Contestant (voice)
Bruce WinantGame Show Host (voice)
Crew
Levels
- Sex & Nudity
- 1
- 2
- 3
>- Violence
- 1
- 2
- 3
>- Profanity
- 1
- 2
- 3
>- Algohol & Drugs
- 1
- 2
- 3
>- Fright & Intensity
- 1
- 2
- 3
>
Collections
Reviews
Split Read Empire's review of M. Night Shyamalan's latest thriller, Split.
Film of the Week: Split And you are...? M. Night Shyamalan returns to form with an entertaining but absurd thriller
Split review: "A Shyamalan movie through and through – and it's his best in some time" The latest Review,,,reviews, breaking news, comment, reviews and features from the experts at GamesRadar+
‘Split’: Fantastic Fest Review James McAvoy plays a kidnapper with two dozen personalities in 'Split,' M. Night Shyamalan's latest thriller.
Split review: Personality disorders of a seriously deranged kind M Night Shyamalan’s bonkers return-to-form thriller starring James McAvoy and Anya Taylor-Joy is enjoyably over the top
Film Review: Split M. Night Shyamalan comes close to recapturing his former touch
The Real Spoiler in M. Night Shyamalan’s “Split” The film is the work of a puppet master who works with an admirable but unoriginal industrial efficiency.
A Piercing Moral Debate in “The Salesman” The film, which involves a production of the Arthur Miller play in present-day Tehran, considers intimacy, respect, and the violation of both.
‘Split’ Has No Personality What raises ‘Split’ above a level of processed Shyamalan cheese is a colorful performance by James McAvoy as a man with 24 personalities.
‘Split’ review: Shyamalan pits Anya Taylor-Joy against the multitalented James McAvoy Through the ups and downs of his career, the name M. Night Shyamalan has always been synonymous with one thing: twist. While watching his films, it’s easy ...
Split movie review & film summary (2017) It’s exciting to see Shyamalan on such confident footing once more, all these years later.
"Split" has very problematic views on psychological disorders — but to explain why, I need to spoil the film's brilliant twist - Salon.com M. Night Shyamalan has a doozy of a twist at the end of "Split," but does it make mental disorders a punchline?
‘Split’ Review: M. Night Shyamalan’s Best Film in Years Shyamalan returns with a complex and surprisingly poignant thriller with an incredible performance from James McAvoy.
'Split': Review Dir/scr: M. Night Shyamalan. US. 2016. 120mins
Split, film review: This horror movie has a personality all of its own Split is a gamble that may not pay off, but it's far from anonymous, says Charlotte O'Sullivan
M. Night Shyamalan's 'Split' Finds the Director Returning to Form Thanks to a brilliant performance by James McAvoy
Film Review: ‘Split’ A welcome return to form from "The Sixth Sense" director M. Night Shyamalan, whose new mind-bender is a worthy extension of his early work.
M. Night Shyamalan’s Split Is Exploitative Trash My loathing of Split goes beyond its derivative ideas and secondhand parts.
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