Kirsten Dunst is the muse for this desultory fever dream about drugs and death that is sublimely beautiful but hollow to the core.

“Woodshock” is a woozy, wheezy impressionistic take on a woman’s nervous breakdown that plays like a bad head-trip movie from the late 1960s.

When a film distributor picks up a promising director’s feature, often it’s a show of faith — a down payment the distributor’s happy to make on that ...

The Mulleavy sisters' debut feature privileges striking style over dramatic substance.

Kirsten Dunst stars in this bizarre and impenetrable rumination on grief, loss and hallucinogenic weed

We (and by “we” I mean Serious Movie People, film critics and scholars and buffs and so on) used to like it when movies challenged us, when they busted o...

Rodarte founders Kate and Laura Mulleavy wrote and directed their debut feature, 'Woodshock,' which stars Kirsten Dunst, Joe Cole and Pilou Asbaek.

Fashion powerhouse Rodarte crosses over into the film world with this tedious but tremendously expressive exercise in subjective cinema.

A woman’s grief and her access to psychotropics are the supposed catalysts in the pseudo-Bergmanesque “Woodshock.”

Back when I still bought things from TeeFury, there was this poster I loved: Designed by artist heymonster, it was a menagerie of different sketches of "stro...

A report from Venice on two world premieres, "The Leisure Seeker" and "Woodshock."

It’s all pseudo-significant, film-school twaddle, totally lacking in momentum and character development.

'Woodshock' drops Kirsten Dunst into a psychic free-fall as Laura and Kate Mulleavy's debut turn into a 'Repulsion' for potheads. Read our review.

Kirsten Duntst headlines the feature debut of Rodarte designers Kate Mulleavy and Laura Mulleavy

The film’s hypnotic visuals show writer-directors Kate and Laura Mulleavy’s deft command of mood

Before "Woodshock" has hinted that assisted suicide is equivalent to plain old killing the film's self-indulgent noodling has made it difficult to care.

The promising debut feature from fashion designer sisters Kate and Laura Mulleavy is beautifully messy and emotionally muddled

The vicarious intrigue of watching someone else's increasingly distant drug trips burns out pretty fast.

Kate and Laura Mulleavy’s directorial debut isn’t light on ideas, it just never completes them.