In A Violent Nature review: A slasher in touch with its surroundings

'In a Violent Nature' takes elements from horror films like 'Halloween' and 'Friday the 13th' and turns them into an original, gory slasher movie.

Canadian horror movie puts a fresh coat of paint on genre's conventions.

A murderous forest rampage told from the serial-killer's perspective. Read Empire's review.

Borrowing from Gus Van Sant and Andrei Tarkovsky, Chris Nash's formally impressive but exasperating debut is a slasher told from the killer's POV.

Larry Mantle and LAist film critics Amy Nicholson and Andy Klein review the latest releases on FilmWeek.

Esto lo que puedes esperar de ‘Young Woman at the Sea’, ‘The Dead Don’t Hurt’ y otras películas nuevas

It is a truth universally acknowledged that a group of sexy teens in a forest must be in want of a menacing killer to stalk them. The interchangeable sexy…

Shifting us into the perspective of its plodding slasher villain, this horror is a gorgeous, brutal treat. Our In a Violent Nature review:

One of the most fascinating, oddly serene horror entries of the year so far, precisely because it flips the mechanics of the slasher on their head.

A new take on an old horror-movie genre is part arthouse, part grindhouse — and all heads-being-pulled-through-bloody,-punctured-torsos. See it ASAP!

Salon reviews a selection of horror movies premiered at The Overlook Film Festival in New Orleans

Thinks of Chris Nash's 'In a Violent Nature' as Béla Tarr doing an unholy doc-fiction hybrid about Camp Crystal Lake.

In a Violent Nature, a slasher movie told from the point of view of the slasher, is like if Gus Van Sant directed a Friday the 13th sequel.

"In a Violent Nature" might seem like a purely aesthetic exercise. But its experimentation elevates an all-too-familiar genre.

A slow-cinema spin on well-burnished tropes, In a Violent Nature largely strips the artifice of the slasher formula, which dictates a deformed man must hunt ...

In a Violent Nature is the most thrilling, terrifying, gross and often quite funny reworking of the slasher genre in ages

The debut feature director Chris Nash may use some arthouse devices, but they can’t save his work

Chris Nash’s gory debut feature subjects the usual nubile youth to the usual cabin-in-the-woods horror — but with a distinctive shift in perspective.