In A Violent Nature review: A slasher in touch with its surroundings

'In a Violent Nature' takes elements from horror films like 'Halloween' and 'Friday the 13th' and turns them into an original, gory slasher movie.

Canadian horror movie puts a fresh coat of paint on genre's conventions.

A murderous forest rampage told from the serial-killer's perspective. Read Empire's review.

IN A VIOLENT NATURE feels like an homage to '80s slashers in all the best ways. Read our full horror movie review here >

Borrowing from Gus Van Sant and Andrei Tarkovsky, Chris Nash's formally impressive but exasperating debut is a slasher told from the killer's POV.

Larry Mantle and LAist film critics Amy Nicholson and Andy Klein review the latest releases on FilmWeek.

Esto lo que puedes esperar de ‘Young Woman at the Sea’, ‘The Dead Don’t Hurt’ y otras películas nuevas

Chris Nash's innovative spin on a horror staple boasts an excellent set-up, but falls flat in its final act.

Chris Nash’s ultraviolent horror movie is an unexpectedly serene, almost dreamlike meditation on a murderous psyche.

The approach isn’t for everyone, but it’s certainly unique

One of the most fascinating, oddly serene horror entries of the year so far, precisely because it flips the mechanics of the slasher on their head.

A new take on an old horror-movie genre is part arthouse, part grindhouse — and all heads-being-pulled-through-bloody,-punctured-torsos. See it ASAP!

The term might be new, but the final girl trope is almost as old as horror movies themselves. These are the 15 toughest survivors in horror film history.

In a Violent Nature, a slasher movie told from the point of view of the slasher, is like if Gus Van Sant directed a Friday the 13th sequel.

"In a Violent Nature" might seem like a purely aesthetic exercise. But its experimentation elevates an all-too-familiar genre.

It’s also intentionally boring. (As boring as a movie in which a girl’s head is pulled out through her abdomen with a hook can be.)

A slow-cinema spin on well-burnished tropes, In a Violent Nature largely strips the artifice of the slasher formula, which dictates a deformed man must hunt ...

In a Violent Nature is the most thrilling, terrifying, gross and often quite funny reworking of the slasher genre in ages

Picture Michael Haneke telling a campfire story to get some sense of what “In a Violent Nature” achieves.

The debut feature director Chris Nash may use some arthouse devices, but they can’t save his work

Chris Nash’s gory debut feature subjects the usual nubile youth to the usual cabin-in-the-woods horror — but with a distinctive shift in perspective.