The latest series from Mike Flanagan grafts an uneven allegory about big pharma’s evils onto the stories of Edgar Allan Poe

Mike Flanagan's fond farewell to Netflix is an unsettling, atmospheric delight.

Mike Flanagan’s new horror-drama miniseries imagines a supernatural toll for opioid pushers.

It’s rare for Mike Flanagan to deny his characters sympathy, and rarer still to delight in their suffering. But with ‘The Fall of the House of Usher,’ the horror auteur invites us to do both as he loudly slams the door on his Netflix era.

Mike Flanagan presents another Netflix horror series, this time based on the works of Edgar Allan Poe. Read the Empire review.

Halloween is saved! Spookmaster Mike Flanagan’s final Netflix offering is a spooky, grisly, sumptuously gothic treat

The Fall Of The House Of Usher review: The guy who does horror with heart takes on the heartless

Inspired by the Sacklers and Poe, Mike Flanagan's new Netflix show may be his best yet. Read our The Fall of the House of Usher review.

It's too drawn-out, but when it's at its best, 'The Fall Of The House Of Usher' is a wickedly entertaining horror tale of greed and family

The limited series by the creator of “The Haunting of Hill House” and “The Haunting of Bly Manor” features Bruce Greenwood, Mary McDonnell and Mark Hamill.

Offspring of a painkiller mogul suffer gruesome deaths on Netflix’s wickedly funny horror soap opera.

"The Fall of the House of Usher," Mike Flanagan's latest horror series for Netflix, uses Edgar Allan Poe to tackle Big Pharma. Here's when to watch.

Ambitious, intriguing and ultimately a trifle confounding, “The Fall of the House of Usher” represents Mike Flanagan’s latest macabre series for Netflix, this time taking a page from Roger Corman by adapting (even more loosely) the works of Edgar Allan Poe. English majors should get a kick from the names and titles, but the emphasis on excess detracts from a limited series worth watching upon a midnight dreary but that doesn’t deserve to be loved.

Mike Flanagan tackles the world of Edgar Allan Poe with his somewhat disappointing new Netflix series The Fall of the House of Usher. Here's our review.

Edgar Allan Poe's works serve as the backdrop for Big Pharma payback in Mike Flanagan's gory Netflix miniseries, 'The Fall of the House of Usher.

Trib Total Media TV writer Rob Owen offers a viewing tip for the coming week. The Flanaganverse — spooky limited series from writer Mike Flanagan including “The Haunting of Hill House,” “The Haunting of Bly Manor,” “Midnight Mass” (and, if we must count it, the lesser, teen-focused, canceled-after-one-season “The Midnight

Mike Flanagan’s (‘The Haunting of Hill House’) latest is one bloody tribute to Edgar Allan Poe and plays like a more highbrow ‘American Horror Story.’

For his annual Netflix horror series, Mike Flanagan's "Fall of the House of Usher" riffs on Edgar Allan Poe while taking aim at self-serving greed.

Mike Flanagan needs more than literary references to adapt Edgar Allen Poe.

Netflix's loose adaptation of Poe's 1839 short story is an over-stuffed and under-cooked horror bore

The latest limited series from The Hauntingof Hill House's Mike Flanagan puts a Gothic spin on dynastic family drama.

Mike Flanagan’s adaptation reimagines Edgar Allan Poe’s oeuvre as a remarkably nimble, tonally capacious collection of fables.

Mike Flanagan's new Netflix series is a glitzy, gory modernization of Edgar Allan Poe’s stories that works in every way.

Mike Flanagan's latest Netflix horror series, 'The Fall Of The House Of Usher,' is a twisted family drama guided by the writings of Edgar Allan Poe.

From 'The Fall of the House of Usher' to 'Bargain' to 'Little Bird'

The massive cast of Flanagan's latest horrorfest includes Bruce Greenwood, Mary McDonnell, Henry Thomas, Carla Gugino and Carl Lumbly.

Flanagan’s craft and his assemblage of returning performers keep this pendulum swinging through eight grisly episodes of horror television that should appeal to any fans of The Haunting of Hill House or Midnight Mass.

The Fall of the House of Usher is something of a return to form for Mike Flanagan. That’s unfortunate.