A simple, straightforward plot synopsis has a way of misrepresenting any genuinely strange movie. Here’s this week’s example: the interestingly freaky Ge...

Tilman Singer's retro-styled debut 'Luz' offers a strange take on spiritual possession.

German writer-director Tilman Singer’s succinctly horrifying first-feature shines for the calculated sensory stimulation it inflicts.

Tilman Singer’s intense queer psychodrama was among the highlights of the inaugural edition of London’s newest genre showcase.

Tilman Singer’s surreally experimental take on demonic possession is as baffling as it is beautiful.

Singer brings Luz in for an effective ending, but it still feels like a movie that just barely works as a feature film, and almost would have been better as ...

Reviews from the Fantasia International Film Festival of "The Man Who Killed Hitler and Then The Bigfoot," the experimental horror film "Luz" and the "Black...

Demonic possession is one of the easier concepts to grasp in Tilman Singer's audacious debut feature.

If Tilman Singer’s low-budget haunt had been a play, I’d probably have walked out, but as a film I found it eerie enough to stay rooted.