The sequel to ‘Unbreakable’ and ‘Split’ adds another layer to the glass onion of self-conscious genre riffing.

M. Night Shyamalan's latest combines the worlds of 'Unbreakable' and 'Split,' but that's where the ideas end

All too superhuman: M. Night Shyamalan has nerve choosing Glass as the title for a film so unashamedly non-transparent

Shyamalan concludes his secret trilogy with a film easier to admire than love. McAvoy is terrific again, but Glass doesn’t quite live up to the lofty heigh...

In his latest film Glass, director M. Night Shyamalan (The Sixth Sense, Signs, The Village) offers a rather disappointing sequel to two of his prior movies, ...

Review: If James McAvoy tried any harder in this film he’d burst a blood vessel

Glass has a refreshing, lo-fi superhero sensibility.

What’s most notable about the film’s aesthetic is its texturelessness. It suggests a filmmaker on the outside looking in, and looking toward the next seq...

You have to admire Shyamalan’s efforts to deconstruct a genre that he evidently loves, yet there is little to haunt or to fool us in the result.

"Glass" works as both a sequel to "Unbreakable" and "Split" and as an entertaining movie in its own right

Bruce Willis’s David Dunn first appeared 19 years ago in M Night Shyamalan’s poetically turgid cult hit Unbreakable, which saw our sort-of hero mooching ...

M. Night Shyamalan's new one is not perfect, but "Unbreakable" fans should welcome it.

The latest from the director is a singularly strange and meta sequel that’s bound to infuriate all but his most devoted fans.

Almost three years ago, M. Night Shyamalan—famous and infamous for his twist endings—pulled the greatest cinematic reveal yet in his career. At the end o...

Why has the industry constantly given him passes, when he’s done everything – Lady in the Water, The Happening, The Last Airbender, After Earth – he ca...