Turns out, bad boyfriends and scary pagan rituals make for an intoxicating mix.

Say what you will about Midsommar, and people are going to say an awful lot of things, but it’s a big swing for filmmaker Ari Aster. The writer and directo...

Ari Aster's new movie is a nightmare about finding the place where you feel like you belong. Spoilers ahead.

Ari Aster follows up last year's Hereditary with another slice of terror.

MIDSOMMAR Review - Grief That's Devastating And Darkly Funny

Read the Empire Movie review of Midsommar. A visceral, unique, utterly fucked-up experience that demands to be seen on the big screen,...

Spooky brain-bender Midsommar thrills with creepy Swedish communes and endless sunshine: EW review

Fun in the sun: Ari Aster’s folk horror flick is a many-splendored—and many-categoried—thing

Ari Aster’s film, set in a weird Swedish commune, struggles to live up to its initial promise

'Hereditary' director Ari Aster sends unwitting Americans into a strange Swedish cult for his sophomore outing 'Midsommar.'

Director Ari Aster’s follow-up to last year’s Hereditary proves he’s far from a one-hit wonder

Ari Aster's sprawling cult thriller takes a lot of big swings, but the underlying vision is hard to shake.

Review: Florence Pugh shines in Ari Aster’s remarkable slow-burning horror-comedy

The setting of “Midsommar,” a luxuriant deep-tissue freakout from writer-director Ari Aster, is a picturesque commune in Hälsingland, Sweden, that is ho...

Ari Aster's folk-horror flick is frightening, beautiful, and just a little unhinged.

Ari Aster’s hyper-aware movie builds a scary mousetrap with Swedish bait, but it has more virtuosity than vision.

Like it or hate it, you can go away claiming it is not like anything you’ve ever seen before.

The sneaky hex Aster casts has that tight of a grip, on both the characters and the audience.

'Midsommar' turns a break-up story into a funny, frightening 'Wicker Man' 2.0 — it's a pagan-horror classic, says Peter Travers. Our review.

What the opening murder/suicide of Dani’s (Florence Pugh) parents and sister brings to bear on the Swedish vacation that follows is negligible. It’s incl...

Ari Aster's sophomore effort Midsommar is both incredibly creepy, and incredibly funny. It's also one of the year's best films.

What does it mean to choose death? Ari Aster’s follow-up to Hereditary is another morbid masterpiece, full of electrifying performances, dialogue and camer...

Ari Aster is one of the slyer jokers to arrive in the movie business for a while.

Ari Aster’s follow-up to his wrenching debut renders the mundane gloom of a breakup as a Technicolor thriller.

Ari Aster wants you to know you’re screwed–that is, if you’re on the wrong side of a deal with demons or deities. In the wake of last year’s wickedly...

A fine ensemble, led by Florence Pugh, gets stuck playing the kind of horror characters you want to slap for their stupidity

Ari Aster’s follow-up to ’Hereditary’ is a sunshine-and-flowers-filled nightmare where all hell breaks loose at a Swedish solstice festival.

Ari Aster continues his exploration of grief in an arresting horror-ish film.

In “Midsommar,” “Hereditary” director Ari Aster's ambitions outpace his execution.

The Hereditary director seems sure of only one thing: that he wants to make you feel as if your head is being sawed off.