Check out Matt Donato's review of Suspiria, Luca Guadagnino's hotly anticipated remake of the colorful Dario Argento classic.

Director Luca Guadagnino puts a bold allegorical spin on Italian giallo meastro Dario Argento’s baroque horror classic from 1977.

Dakota Johnson plays an American student drawn into the nightmarish secret world of a European dance academy run by Tilda Swinton in Luca Guadagnino's new take on the Dario Argento horror classic, 'Suspiria.

Even if Suspiria is at times unpleasantly grim, it’s not exactly scary. There is nothing poetic or erotic about it.

Luca Guadagnino's remake is likely to be enjoyed more by audiences unfamiliar with the Dario Argento original. 

Luca Guadagnino's reinvented distant-cousin of Dario Argento's 1977 cult bauble, "Suspiria" is terrifying, gorgeous, beautiful, thrilling and lurid.

Luca Guadagnino does a lot of things very, very well. Indeed, it is hard to think of a working director more adept at capturing the tactile delights of stuff like touch; taste; swimming pools; seduction; fabric; desire; food; dance; rich people; Tilda Swinton; Tilda Swinton eating; Tilda Swinton dancing; Tilda Swinton swimming; and so forth and so on. One thing

Review: Remake of Dario Argento’s 1977 classic does nothing with its many good ideas

The director of "Call Me By Your Name" remakes "Suspiria" with Tilda Swinton and Dakota Johnson, and the result is an entirely bewitching new take.

New 'Suspiria' gives us a WTF Tilda Swinton and too much subtext — it's mesmerizing, maddening and a mess, says Peter Travers. Our review.

Luca Guadagnino's remake of 1977's "Suspiria" is a spellbinding and haunting tale involving witches at a German dance academy.

★★★★☆ Call Me By Your Name director Luca Guadagnino doesn’t so much remake Dario Argento’s Suspiria as use the influential Italian horror movie as...

Melissa Anderson on Luca Guadagnino’s Suspiria

Dakota Johnson stars in a supernatural thriller that's guaranteed to make you cringe at times, but isn't the least bit chilling or haunting.

Much of Guadagnino’s Suspiria feels beholden to nothing, indulgent and overwrought, existing only for itself. Our Suspiria review:

You will stagger out of the theater wondering what exactly you just saw, but you will not easily forget it.

Set in Berlin during the fall of 1977, a prominent dance company’s lead dancer disappears just in time for aspiring dancer Susie Bannion (Dakota Johnson)

Sure to be the most polarizing film since "mother!," Luca Guadagnino's mad remake boasts Thom Yorke, multiple Tilda Swintons, and tons more.