See 'Eden,' 'Hostage,' 'Unforgotten,' 'Eenie Meanie' and more.

Film critic Peter Travers reviews "The Exorcist: Believer," in theaters now.

The Exorcist: Believer review: What the devil is going on here?

Ellent Burstyn returns after 50 years as Chris MacNeil in "The Exorcist: Believer." David Gordon Green's film goes big on horror and small on story.

David Gordon Green's follow-up, released to mark the classic horror's 50th anniversary, is a pale imitation that fails to shock, writes Nicholas Barber.

The demon Pazuzu gets a two-for-one deal in this "requel," featuring Leslie Odom Jr. and Ellen Burstyn.

With the devil inside two girls now, this film has double the exorcisms but about 10% of the Scare Value of the 1973 classic.

Director David Gordon Green’s weirdly cautious reboot of the “Exorcist” franchise, the first of a planned trilogy, comes with the name “The Exorcist:...

A half-century after the original helped rewrite the rules of horror and launched a thousand imitators, “The Exorcist: Believer” tries picking up that ma...

Ellen Burstyn and Leslie Odom Jr. can’t change the fact that exorcism tropes are old hat. 

David Gordon Green follows up the horror classic. Read Empire's review.

Our verdict is in!

Leslie Odom Jr. heads a cast that includes Ann Dowd and Ellen Burstyn, the latter reprising her role from William Friedkin’s 1973 horror classic for the fi...

This is a toned-down, more limply palatable iteration of William Friedkin’s 1973 classic: the projectiled pea soup is gone, the verbal abuse has been whitt...

They spent $400 million on this.

The devil might have all the best tunes, but his record on horror franchises is patchy at best

Larry Mantle and LAist film critics Christy Lemire and Andy Klein review this weekend’s new movie releases in theaters, streaming, and on demand platforms.

Returning to William Friedkin's 1973 classic for a lega-sequel, director David Gordon Green lures Ellen Burstyn for an update that can't quite summon scares.

“Sometimes, to go forward,” root doctor Beehibe (Okwul Okpokwasili) tells sceptical Victor Fielding (Leslie Odom Jr.) in The Exorcist: Believer, “you h...

The best since the original

Nobody here is bad, but they’re all an afterthought. The roles are nothing, and so the acting’s nothing.

‘Believer’ is a film where everyone’s effort — to underline a message, to deliver a nuanced performance, to be visually interesting, to shock the aud...

Earnest and occasionally creepy but somewhat muddled sequel to a classic.

Perhaps the last thing you’d expect a reboot of “The Exorcist” franchise to botch is — you know — the exorcism scene. But that’s what “The Exor...

Not even the power of Christ could compel someone to put up with this inexcusable “requel” that’ll shake your faith in the idea of franchise reboots.

Talk about taking the lord’s name in vain.

The first in a planned new Exorcist trilogy from director David Gordon Green fails to live up to its legacy

'The Exorcist: Believer,' David Gordon Green’s newest attempt to raise franchise hell, results in a disjointed mess.

The Exorcist: Believer isn't the worst Exorcist sequel, but it is the least interesting Exorcist sequel. Read our review of the David Gordon Green film here.

Ellen Burstyn returns for the sequel, but the scares do not.

What has possessed the Exorcist movies?

The late William Friedkin’s classic is reanimated yet again, but it’s already time to dig its grave.

It takes a village to perform an exorcism, and it takes the power of Ann Dowd and Ellen Burstyn to make this familiar material compelling.

No reverence for the original Exorcist masterpiece can be found in David Gordon Green’s new film

The film tries "tries to do is bring a very Catholic story into a non-denominational world," writes reviewer William Bibbiani

How anyone can resist the totally out-there vision of James Earl Jones in a locust headdress is beyond me.

Five decades after the 1973 horror classic scared everyone, "The Exorcist: Believer" offers up unnerving sights but lacks the original movie's soul.

Ellen Burstyn returns to the horror franchise for the first time in 50 years.

The clichés of demonic possession pile up with dutiful nostalgia, but they've lost their shock value.

The Exorcist: Believer shows how American religion and Hollywood movies have shifted.