Ana Lily Amirpour's feature about a dystopian society of cannibals and cults, is visually arresting but a narrative disappointment.

Writer-director Ana Lily Amirpour’s follow-up to “A Girl Walks Home Alone at Night” is striking but a disappointment.

Writer-director Ana Lily Amirpour follows her Iranian vampire movie, 'A Girl Walks Home Alone at Night,' by setting Suki Waterhouse adrift in a lawless land ...

Ana Lily Amirpour's new film is a post-apocalyptic thriller with elements of "Mad Max" and "Texas Chainsaw Massacre."

The title of “The Bad Batch,” Ana Lily Amirpour’s arid and feverish new movie, refers to the assorted undesirables who have been exiled by the U.S. gov...

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An updated tale of ostracism for the golden age of dystopia, written and directed by Ana Lily Amirpour.

Amirpour seems to have placed herself in a cozily indulgent trance, mesmerized by the possibilities of deluxe, corporately subsidized cult filmmaking.

It’s impossible to ignore that this is a film with neither engaging emotional threads nor the kind of panache that makes such cinematic mayhem worth it.

'The Bad Batch' pits a young woman against tribal cannibals and cult leaders in a bleak Dystopia U.S.A. Read Peter Travers' movie review.

Dir/scr. Ana Lily Amirpour. US. 2016. 118 mins.

Ana Lily Amirpour’s second feature shoots for Harmony Korine meets Mad Max and would have nearly almost hit the mark were it not for the gratingly aloof at...

Filmed two years before Trump’s victory, the apocalyptic horror film is prescient its depiction of outcasts

Horror auteur Ana Lily Amirpour's eagerly-awaited sophomore effort lacks substance, but the style is admittedly impressive

Director Ana Lily Amirpour follows up her breakthrough debut, ’A Girl Walks Home Alone At Night,’ with an aimless look at dystopia.

A dystopian drama from the director of A Girl Walks Home Alone At Night falls flat.

There's much to savor in the pic's lavishly distressed visuals and soundscape, but its narrative feels increasingly stretched and desultory.