The Arizona Republic'Shelby Oaks' is a horror movie with a great backstory

The Detroit News'Shelby Oaks' review: Horror tale is a tour through genre clichés

EmpireShelby Oaks review: Chris Stuckmann's directorial debut is 'a suitably creepy calling card'

Richard Lawson‘Shelby Oaks’ Review: Part Found-Footage Horror, Part Mockumentary, Entirely Clunky

Alison Foreman‘Shelby Oaks’ Review: Neon’s Hodgepodge Horror Lets Chris Stuckmann Take His First Stab at Haunting

LAistFilmWeek: ‘Bugonia,’ ‘Springsteen: Deliver Me from Nowhere,’ ‘Hedda,’ and more!

Los Angeles TimesReview: In 'Shelby Oaks,' all the clichés are sprayed with the subtlety of a T-shirt gun

Little White LiesShelby Oaks review – convoluted, lore-obsessed, overly sentimental

Wendy IdeWendy Ide’s pick of other films: Relay, Facing War, Pales...

The Daily BeastThis Is Every Horror Film You’ve Ever Seen, Rolled Into One

The Globe and MailA Blair Witch Project for the influencer era, Shelby Oaks is too familiar to go viral

William Bibbiani‘Shelby Oaks’ Review: The Derivative, Hollow Horror Film You Didn’t Ask for

Dennis Harvey‘Shelby Oaks’ Review: A Woman Is Haunted by Her Sister’s Disappearance in Chris Stuckmann’s Too-Familiar Chiller