A killer force is spread through sex, and it's all very creepy and evocative

NPR film critic Bob Mondello reviews It Follows, a film that he says works some interesting changes on the horror genre.

The fright runs deep in a symbolically rich new horror film from the director of The Myth Of The American Sleepover.

A slow-moving demon creeps inexorably toward its victims in this low-budget horror movie.

David Robert Mitchell successfully conveys an atmosphere of dread in this provocative, low-budget, horror film

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It Follows both prolongs and heightens the potency of high school-age fears until they appear to be ancient existential terrors.

David Robert Mitchell returns inside the suburban teenage bubble with 'It Follows,' this time bringing supernatural dangers.

When director David Robert Mitchell appeared on the indie scene in 2010 with “The Myth of the American Sleepover,” few would have guessed that his next project might be a horror movie.

The film, a metaphor for STDs, is not gory but supremely creepy, in the best possible way.

After Jay (Maika Monroe) goes on a date with a hot new guy (Jake Weary), she wakes to find herself tied to a chair. “This thing . . . It’s going to...

It Follows, as uncommon a horror film as you're likely to find in the wasteland of PG-13 mediocrity defining the genre today, takes its inspiration from a film that's 37 years old. By echoing John Carpenter's Halloween (not in terms of ...

Someone who took a film course in college once told me the first shot in any movie is its most important. Seldom is that more evident than with It Follows, which opens with a doozy.

Could we be on the cusp of a new golden age of horror films?

Artsy, unsettling horror movie centers around a supernatural stalker.