Sharp notes meet sharp knives in the delicious operatic bloodfest

With the release of Orion’s Anna and the Apocalypse in limited theaters this weekend, allow me two proclamations. First, SEE ANNA AND THE APOCALYPSE. Not o...

Since Camilla was a little girl, she has dreamed of following in the footsteps of her Broadway star mother Kylie Swanson (Minnie Driver). Not even her mother...

A masked killer decimates the population of a musical theater camp in Jerome Sable's campy horror musical.

It's not unheard of to meld the seemingly incongruent worlds of musical theater and serial killers ("Sweeney Todd"), but the lame horror-show tune mashup "St...

Monica Castillo sings a requiem of how "Stage Fright", a musical/horror hybrid, went so wrong.

“Stage Fright” starts out as a funny musical mashup — “Glee” meets“Friday the 13th” — but winds up indulging slasher-flick clichés instead o...

Slasher musical benefits from Meat Loaf but is done in by lopsided tone and lousy musical numbers.

It would have been too much to expect Jerome Sable’s “Stage Fright” to live up to its positively giddy first 15 minutes. But sooner or later, the gore ...

Canadian slasher-musical shows a sharp ear for pastiche, but comes up flat while playing summer-stock tribute to Phantom of the Paradise

This horror musical has about 20 comically inspired minutes before devolving into increasingly moribund genre-spoofing territory.