Set in a 19th-century Estonian village, writer-director Rainer Sarnet's fairy tale is filled with dark magic — and mesmerizing cinematography that's even darker.

‘November,’ an Estonian fairy tale directed by Rainer Sarnet, is a stunningly bizarre film packed with ghosts, witches, werewolves, stigmata, the Devil, and so much more.

'November' isn't your usual gorgeous B&W folk tale involving perversion and possessed animal skulls – it's a new midnight-movie classic. Our review.

November never stops being a visual trip.

Rainer Sarnet’s film is most pleasurable precisely when it surrenders itself to the nonsense of dreams.

'November,' Rainer Sarnet's adaptation of an Estonian best-seller, is full of folk-tale magic and beautiful B&W photography.

A gorgeously shot, deeply strange, hugely atmospheric black-and-white trip though a tale of magic and malice in folkloric rural Estonia.

When they’re not casting spells, making deals with a cackling devil or creating magical servants from inanimate objects, the 19th-century villagers of “November” work and thieve — whatever it takes to eke out a living from the muck.