Black Christmas deserves to be a better slasher satire propelled by empowerment than the messy, tonally obstructed holiday dud we're gifted.

It reflects the world outside the movie theater in ways that most other studio-distributed horror movies don’t.

Sophia Takal directs the second remake of 'Black Christmas,' a thriller pitting sorority members against fratboys and a mysterious killer.

Black Christmas movie review: Director Sophia Takal and co-writer April Wolfe are behind this reboot of a cult classic starring Imogen Poots.

The 1974 slasher film gets remade for the new age of feminism in the rare college horror movie that actually has something on its mind.

The 1974 original is a quiet, near-perfect thing: very possibly the first slasher, made a few years before ‘Halloween’. While a film about stalking sorority gir

'Black Christmas' is the third re-make of the original 1974 film starring Keir Dullea, Margot Kidder and Olivia Hussey.

Imogen Poots fights a masked killer - and her own demons - in this feminist remake of the 1974 slasher

Audiences attuned to a #MeToo reimagining rather than a straight-up retelling are most likely to enjoy this new take

Kristen Lopez reviews the latest Black Christmas remake which is directed by Sophia Takal and co-written by April Wolfe. Black Christmas 2019 stars Imogen Poots, Aleyse Shannon, Lily Donoghue, and Brittany O'Grady. Black Christmas is now playing

Sophia Takal’s reimagining of Black Christmas cuts past the male gaze, creating a send-up of the genre in the era of Time's Up. A somewhat revolutionary film in concept by continuing to subvert expectations, this 2019 version flips various slasher film tropes and reframes sexist expectations of the “sexy co-ed slasher flick” for an era

'Black Christmas' isn't a perfect redo of the 1974 slasher movie—but it's perfectly angry, and that makes all the difference. Our review.

The second attempt to resurrect the 1974 campus-set horror is a well-intentioned yet ultimately unconvincing modernisation

This slasher remake brings fresh scares, even with a PG-13 rating.

Director Sophia Takal updates the festive sorority slasher in a Blumhouse horror remake. Read the Empire review.

Sophia Takal’s woke version of a campus murder movie gives its would-be victims more agency, taking full advantage of its college setting to address topics like campus sexual assault and the changing canon in academic spaces. Imogen Poots stars as Riley, whose recovery from her frathouse rape is the catalyst for a series of mysterious murders. In theaters now.

Sophia Takal's update of the 1974 holiday horror classic "Black Christmas" revisits sorority sisters stalked by a masked killer.