Coralie Fargeat's "Revenge" stars Matilda Anna Ingrid Lutz as a rape victim turned avenger. Grisly, stylized, and worth watching.

Coralie Fargeat's murderously delectable French thriller goes for the jugular.

Read the Empire Movie review of Revenge. With the near-unbearable scenes of self-surgery, sexual violence and several bathtubs’ worth of...

First-time French director Coralie Fargeat's stylish new payback thriller has pulpy panache.

Debuting French writer-director Coralie Fargeat goes the full grindhouse with flair in 'Revenge,' channeling a female gaze and a wicked sense of humor into a...

Part "Beyond the Black Rainbow" and part "Fury Road," this mesmerizingly gross debut reminds men they objectify women at their own peril.

For the second time in as many years, a French female filmmaker has upended a horror sub-genre, flipping it upside down and injecting fresh blood with such f...

"Revenge," the new, gore-soaked movie from French director Coralie Fargeat, finds female power in one of the exploitation genre's darkest corners: the rape-r...

Coralie Fargeat’s debut feature is a skillful and gory fusion of feminism and exploitation.

Paste Magazine is your source for the best music, movies, TV, comedy, videogames, books, comics, craft beer, politics and more. Discover your favorite albums...

Caked in blackening blood and punctuated by girlish flares like a pretty pink star earring, writer/director Coralie Fargeat's feature debut Revenge is a ja...

On four Midnight Madness films from TIFF 2017, including "The Disaster Artist," "Bodied," "Revenge," and "The Ritual."

Revenge is the film we need right now from a filmmaker we need right now.

'Revenge' earns its title, one bloody scene at a time – and it's the only sex-and-violence exploitation film you need to see this year. Our review.

Coralie Fargeat’s debut film tackles one of cinema’s nastiest subgenres—the rape-revenge movie.

The front half of Coralie Fargeat's debut feature Revenge provides audiences the sort of sensory overload that hits like a sledgehammer. You might not think ...

The director upends the tropes of rape-revenge films, creating a space where horror and catharsis co-exist in (very bloody) harmony

Coralie Fargeat’s "Revenge" is bloody and amazing, and it means we’re at the very start of a truly insane cinematic career from a brand-new filmmaker.

★☆☆☆☆Can a movie be feminist and misogynist at the same time? Can a female director make a cheap and tacky piece of exploitation perv-bait without ...

Coralie Fargeat's vengeance drama is blood-soaked and stylish -- and in Matilda Lutz's hands, revenge is sweet, indeed

Hell hath no fury like Gabrielle Union and Matilda Anna Ingrid Lutz scorned.

With her stylish and bloody rape-revenge thriller, French first-timer Coralie Fargeat turns a disputable subgenre upside down.

But Coralie Fargeat doesn’t linger on or eroticize the violence against her heroine — this isn’t torture porn.