Our critics take a closer look at the best new films to watch in theaters as well as the best movies to stream right now.

Edgar Wright tries his hand at throwback thrills in the flawed, stylish Last Night In Soho

Edgar Wright blends genres once again in "Last Night in Soho." Thomasin McKenzie, Anya Taylor-Joy and Diana Rigg stand out. In theaters Oct. 29.

There’s an infectious energy in the early parts of Edgar Wright’s new film, Last Night in Soho. The film opens with a dance number as aspiring fashion de...

Notwithstanding its irresistible rhinestone array of mid-’60s popular culture, “Last Night in Soho” is an exercise in nostalgia only in passing. What i...

In one of the year’s most exciting movies, Thomasin McKenzie stars as a time-hopping design student who melds with a mysterious singer (Anya Taylor-Joy).

Last Night In Soho sees Edgar Wright shoot his shot, but ultimately his latest film offers more style than substance.

“Last Night in Soho” creates such an intoxicating atmosphere in replicating the far-out sound and look of London’s swingin’ ’60s as to overcome rou...

While Edgar Wright's Last Night in Soho is a glitzy tribute to '60s London with a stellar cast, its horror plot falls short. Read our review.

Edgar Wright's thriller, also starring Thomasin McKenzie, mixes genres to strong effect.

Thomasin McKenzie forges a time-twisting connection with Anya Taylor-Joy in Edgar Wright's psychological thriller. Read the Empire review.

Edgar Wright's latest is a stylish neon reverie whose spooky bedazzlement succumbs to bog-standard horror in the final act.

Edgar Wright's neon vision of the '60s in Last Night in Soho is intoxicating entertainment

The co-stars play what could almost be polar-opposite versions of the same young woman across a six-decade divide in this dark psycho-thriller that shimmies ...

Starring Thomasin McKenzie and Anya Taylor-Joy, it has plenty of The Wright Stuff yet feels entirely new. What a superb film.

The director's new 60s-set psychothriller, starring Anya Taylor-Joy has its attractions – but its alleged principles are all over the place

Edgar Wright's latest feature completes a trilogy of films that cast the director's obsession with nostalgia in a new light

Review: Edgar Wright’s time-travel diversion explores the seedier side of the 1960s

Larry Mantle and KPCC film critics Lael Loewenstein, Tim Cogshell and Charles Solomon review this weekend’s new movie releases on streaming and on-demand p...

Thomasin McKenzie plays a woman transported to 1960s London in Edgar Wright's feminist horror film "Last Night in Soho," co-starring Anya Taylor-Joy.

This time-travelling neo-giallo from Edgar Wright contains a few stunning sequences, but flubs the final act.

Edgar Wright’s critique of swinging-sixties London, from the perspective of a young woman of today, gets lost in a tangle of plot twists and shock effects.

It’s the best high-camp scary flick since “Black Swan.” Director Edgar Wright’s latest crazy horror-comedy, “Last Night in Soho,” is his most sop...

Two young women from different eras form a psychic bond in Edgar Wright’s sumptuous and surprising horror movie.

Depraved, delirious, and downright stupid, ‘Last Night in Soho’ is two hours of amateurish drivel that could have just as well been an hour a half.

It’s a passionate movie, full of throwback song cues and over-the-top style, but it works against itself in many ways

Last Night in Soho has a great hook and starts outlooking like it’s going to do something compelling with that hook. Unfortunately,as is too often the case...

Yes, 'Last Night in Soho' romanticizes the Swinging London of the Sixties — then filmmaker Edgar Wright takes a straight razor to it.

Every film from Edgar Wright is a kind of gift. Especially to audiences who like to unwrap things over and over again, from the Rom-Zom-Com satire of Shaun o...

Edgar Wright’s latest film finds horror in memories.

Director Edgar Wright takes a wild ride through London's seedy past

Edgar Wright pushes his own craft by hybridizing formats and delving more profoundly into thematic territory with his latest film, Last Night in Soho.

Last Night in Soho is a surprisingly upbeat horror-thriller that steers clear of delving too deeply into its characters’ motivations.

"Last Night in Soho" imbues the swinging ’60s with psychological horror. But its social commentary is less distinctive.

Can someone get Edgar Wright a DJ residency? Or a prime-time (or drive-time) radio slot. Few working directors are so passionate and eager to play the tunes,...

The Globe and Mail’s critics review films screening both in-person and online at the 46th edition of the Toronto International Film Festival

Great performances and brilliant needle-drops bolster Last Night in Soho as Edgar Wright's best film since Shaun of the Dead

*Sings 'Downtown' by Petula Clark*

Edgar Wright's new thriller, which premiered at the 78th Venice Film Festival, starts off seductively before taking an unfortunate turn

A love song to ’60s fashion, pop and glamour

'Coda,’ ‘House of Gucci’ and more star-studded movies make our top 10 list of 2021 — read more

The British director's boyish genre nostalgia only goes so far in an underwritten, strangely unscary time-hopping horror.

Starring Anya Taylor-Joy and Thomasin McKenzie, Edgar Wright’s freewheeling, pop-drenched homage to Swinging London is buoyant and brutal.

On the surface, Edgar Wright’s Last Night in Soho opens like a rite of passage movie, leaning into London locations as a transformative catalyst for