“Can you believe I found this online?” a delighted Prisca asks husband Guy at the beginning of “Old,” as their family arrives at a glistening beach r...

What a drag it is getting Old in M. Night Shyamalan’s spooky new thriller

In M. Night Shyamalan’s latest, the aging process takes places at a scary pace — very scary.

★★★★☆ The films of M. Night Shyamalan need little by way of an introduction. In the two decades since The Sixth Sense rocketed to the...

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Larry Mantle and KPCC film critics Christy Lemire and Andy Klein review this weekend’s new movie releases.

Matt Damon is terrific in thriller that goes beyond being a thriller; also worth seeing is ‘Boy Behind the Door’

With spare methods and sharp images, the director turns a simple premise into potent fantasy.

“Old,” starring Gael Garcia Bernal, Ken Leung and Abbey Lee, is pleasantly straightforward and has a confidence that’s been missing from “Sixth Sense...

None of ‘Old’ makes any sense, and it’s not interesting or suspenseful enough to invest much time trying to care what happens next, writes critic Rex R...

'Old,' Shyamalan’s new movie, is deeply silly, yet increasingly thoughtful, occasionally even dark for its willingness to be funny.

The biggest challenge in reviewing M. Night Shyamalan’s Old lies in describing its central idea without making the film sound considerably cleverer and mor...

In Old, an ordinary couple land at a tropical resort where they are trapped as time itself plays terrifying tricks on them.

In "Old," the director confronts the everyday, existential terror of life passing by too quickly.

Old, the latest thriller from horror auteur M. Night Shyamalan, follows a family vacationing at a luxurious tropical resort. The parents (Gael García Bernal...

‘Old’ is extremely representative of the longtime director, in good ways and bad

The director gets metaphysical on the beach in a B-movie.

It’s at its best when it’s at its weirdest.

The Sixth Sense director still has a way with sinister shots, but is oddly invested in having the audience care about his cardboard characters.

There is no denying the allegorical overtones of this superior thriller from M. Night Shyamalan. Adapted from the graphic novel Sandcastle, created by